MOHAMED NADER

FILMMAKING
In Cairo

IN THIS WORKSHOP

01

DIRECTING

02

SCRIPTWRITING

03

CINEMATOGRAPHY

04

DIRECTING ACTORS

05

FILM MUSIC

06

FILM CRITIQUE

07

FILM PRODUCTION

08

GRDADUATION PROJECTS

01 DIRECTING | Mohamed Nader

DIRECTING FUNDAMENTALS

  • Characteristics & elements that control the cinematic composition.
  • Show don’t tell!
  • Rule of Thirds/ Golden Ratio
  • in/ out of shot (the cut rule)
  • Match cut, rough cut, hidden cut, insert, cutaway.
  • Enter/ Exit frame.
  • Cut on action
  • Rhythm Triangle (incident ,time ,emotion)
  • Continuity in the scene.
  • Camera angles.
  • Character angles.
  • How to visually introduce my idea.
  • Economy in cutting, linking shots.
  • Adjust my scene.
  • 180 Rule
  • Types of shots
  • Coverage (internal and external cuts)
  • Shared space and closed space.
  • Head Room and Nose room.
  • Depth in cinematic composition
  • How to make depth FG, MG, BG, Depth cues.
  • Geography of location (dramatical use of location)
  • Sizes in shot
  • Establishing & ending shots (how to establish and end a scene?)
  • Kinds of rhythm (moments, beats, etc.)
  • How to visualize my scene and break it down (different visual styles)
  • Camera work
  • One shots and long takes
  • Mise en scene (blocking, stagging) in fixed cadres in the camera work.
  • Lenses:
  • Type of lenses
  • How to use lenses in a dramatic way
  • Visual progression
  • Directing actors
  • introduction to the basics of Drama.
  • Three Acts Structure
  • Scene structure (obstacles, beats)
  • Character study.
  • Visual details in the script.
  • Dialogue and subtext.
  • The emotional journey.
  • Conflict, midpoint crisis, climax, realization.
  • Plantation and payoff.
  • Incidents in the script.
  • Plot : central plot, sub plot (elements of the plot)
  • Inciting Incident
  • Creation of scene and act.
  • Dialogue and inner monologue
  • The structure of the story
  • Conflict (inner- outer)

03 CINEMATOGRAPGY

  • Introducing what a filmmaker needs to comprehend about cinematography.
  • Introducing the visual communication among the director, director of photography, and the remaining technical team:
  • Director: The director holds the creative and overarching artistic responsibility for the film.
  • They define the artistic vision and guide the artistic performance of actors, collaborating with the director of photography to realize this vision.
  • Director of Photography: Responsible for managing the visual elements of the film.
  • How to select the visual approach for various artistic works.
  • Defining lens types and their diverse applications.
  • Introduction to the lighting circle and its application in creating scenes with varying light contrasts (high, low, black and white).
  • How to effectively operate with the equipment at hand.
  • Learning the systematic approach to prepare for filming an artistic piece and how to choose a style that enables the audience to swiftly engage with the dramatic narrative.

04 DIRECTING ACTORS | Ahmed Kamal

  • These two sessions aims to equip young filmmakers with fundamental techniques and practical experiences needed to direct actors effectively, emphasizing the importance of collaboration and communication for a successful film production:
    – Understanding the Art of Directing Actors
    – Actor-Director Relationship
    – Directing Techniques
    – Scene Analysis and Rehearsals
    – On-Set Directing
    – Screening and Feedback

05 FILM MUSIC | Marwan Fawzy

  • Basic key concepts
  • Music score Vs. soundtrack
  • Source music
  • Additional score
  • Musical supervising
  • Aesthetic Discussions
  • The dramatic impact of sound
  • Music and silence
  • Music and screenplay
  • Music and characters design
  • Music and scenography
  • Symbolism of sound and music
  • Theatrical built scenes and music
  • Technical Orientations:
  • Mise – en- scene and the audio shot
  • The qualities of good sound recording
  • Screen geography and sound
  • Mini introduction to foley art and sound design

06 FILM CRITIQUE | Ahmed Shawki

in this interactive session, film critic Ahmed Shawky will guide students through the essentials of submitting their films to festivals, with peer feedback on their final project ideas.

Key topics will include:

  • Submission Essentials – Steps for applying to festivals, selecting the right events, and preparing a festival-ready press kit.
  • Securing Funding – Exploring grants, sponsorships, and other funding options for independent filmmakers.
  • Making Connections – Tips for networking, pitching to industry partners, and understanding what festival juries prioritize.
  • Maximizing International Reach – Adapting submissions for global festivals and navigating cultural nuances.

07 FILM PRODUCTION | Mohamed Taymour

Session 1 (DEVELOPMENT)

  1. Define the roles of Film Producers.
  2. Role of Creative Producer and how he works, the methodology
  3. How to pick your projects?
  4. ⁠Relation between Creative Producer & Director/Writer
  5. Basic skills for producers .

Session 2 (FINANCING)

  1. Methods of Financing
  2. Crowdfunding, Corporates, Sponsors
  3. Fundraising (Journey through the film file and how to prepare it, tips)
  4. Create your Film File (Case Studies)

Session 3 (EXECUTION)

  1. Hiring Crew
  2. The production hierarchy and role of each member in the production team, How to manage?
  3. Scouting, Casting, and Pre-production of each department
  4. Budgeting, walkthrough the budget sheet, and each participant’s
    project

(DISTRIBUTION)

  1. Distribution (Approaches) Platforms
  2. Distributor vs Sales Agency

08 GRADUATION PROJECTS

The graduation project is divided into four main sections, each representing a key step towards

1. Pre-Production

Film Development
The film development phase is the pre-production stage where students finalize their scripts, discuss budgets, and adjust projects based on available resources. It involves selecting the crew, casting actors, scouting locations, creating shooting lists, and scheduling filming days, all under the supervision of Mohamed Nader and the guidance of the Arab Film School.

Script Development + Directing Development
It will be conducted over a specified number of lectures for all students, ranging from 4 to 6 lectures.
It will be led by trainer Mohamed Nader, in collaboration on the screenplay with Amina Mustafa.

This phase also includes a set number of individual sessions for each student.

  • Casting
  • Location Scouting
  • Assembling the Crew

2-shooting

Arab School provides a full shooting day with a professional crew and a limited selection of professional filming equipment, including the Sony FX6 camera, lenses, professional lighting, and a skilled director of photography and production manager. The only thing the student needs to provide is the location fee.

3-Post production

Post-Production Services:
Arab Film provides students with a specialized company in the field of post-production to complete their films. This includes a limited number of sessions for EDITING, COLOR GRADING, SOUND DESIGN, and creating the official POSTER for the project.

4- Screening

Post-Production Services:
The film screening is divided into two parts. The first part is the private screening
organized by Arab Film School, where many artists, directors, and producers are invited.
The second part is the screening at international festivals

Requirements

1- shooting day per student. Each student has completed 80% of the Tasks

2- projects, with an overall project success rate exceeding 60%.

GRADUATION PROJECTS

GRADUATION PROJECTS SCREENING IN CINEMA ZAWYA

STUDENTS WHO WON IN FILM FESTIVALS

MORE DETAILS

  • Duration

    42 Sessions – 108 Hour

  • Dates and times:

    Starting date: May. 25th, 2025
    Workshop days: Sundays, Tuesdays, and Thursdays at 7:00PM and until 10:00PM

  • Venue

    Idea Space ,124 Othman Ibn Affan, Street, Heliopolis.

  • Fees

    46,000 EGP

  • Payment Method

    50% of the workshop fees confirm your registration, if you did not pay before we get the
    maximum number of participants, your registration is not valid.
    You can also pay through Symple, 0% interest – 5 months installments
  • Refund Policy

    • Before 11th of May 2025 participants will get a full-refund.
    • After 11th of May 2025 till 18 May 2025 participants will get 50% refund of the total price
    • After 18th of May 2025 participants can not refund their
      payment

For more information please contact us:
+2010 986 01564

REGISTRATION FORM